Yto Barrada « The Interview: Yto Barrada » | via ArtReview, March 14, 2024
Yto Barrada « The Interview: Yto Barrada » | via ArtReview, March 14, 2024

"Born in Paris and raised in Tangier, Yto Barrada has, in two decades, gone from being a student of political science at the Sorbonne, as well as her family’s historian and archivist, to a prolific producer of photographs, prints, sculptures, films, artist books and para-institutional projects. Her solo exhibition at Pace in London, Bite the Hand, opens in March and comes on the heels of presentations at the Stedelijk Museum Amsterdam, Kunsthalle Bielefeld, Festival d’Automne in Paris and the Barbican in London. She simultaneously runs two nonprofits, both in Tangier: the arthouse theatre Cinémathèque de Tanger and The Mothership, a dye garden and artist residency."

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Mounira Al Solh « Mounira Al Solh’s handmade tales of displacement » | via L'Orient Today, February 21, 2024
Mounira Al Solh « Mounira Al Solh’s handmade tales of displacement » | via L'Orient Today, February 21, 2024

"As she prepares her solo show for Lebanon’s pavilion at the 60th Venice Biennale, the artist discusses some of her recent work."

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Rayyane Tabet « Art of the blue – the chilly iconoclasm of Rayyane Tabet » | via Apollo Magazine, February 16, 2024
Rayyane Tabet « Art of the blue – the chilly iconoclasm of Rayyane Tabet » | via Apollo Magazine, February 16, 2024

"Rayyane Tabet has transformed part MUDAM into a chilly twilight zone, in which signifiers of domestic comfort become mechanisms of basic survival and the modernist utopianism of the architect’s vision is contorted into something altogether more uncertain. It is the best kind of site-specific art: a thoughtful, unsentimental meditation on the particularities of its host institution and a powerful retort to the well-meant but hubristic orthodoxy from which it sprang. Its resonances continue to ring in the ears long after you have walked through the exit."

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Etel Adnan « Ithra exhibition honors late Lebanese-American artist Etel Adnan » | via Arab News, January 17, 2024
Etel Adnan « Ithra exhibition honors late Lebanese-American artist Etel Adnan » | via Arab News, February 2, 2024

"King Abdulaziz Center for World Culture, or Ithra, recently opened “Etel Adnan: Between East and West,” a major retrospective exhibition showcasing 41 works of the late Lebanese-American artist, poet and philosopher. Revered as one of the most renowned contemporary artists from the region — and still considered a major figure in the Arab modernism movement — the space at Ithra’s gallery is the first solo exhibition of Adnan’s work in Saudi Arabia, running until June 30."

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Mounira Al Solh « Artes Mundi 10 Questionnaire: Mounira Al Solh » | via ArtReview, January 17, 2024
Mounira Al Solh « Artes Mundi 10 Questionnaire: Mounira Al Solh » | via ArtReview, January 17, 2024

"Mounira Al Solh is nominated for Artes Mundi 10 alongside Rushdi Anwar, Carolina Caycedo, Alia Farid, Naomi Rincón Gallardo, Taloi Havini and Nguyễn Trinh Thi. This year’s 10th anniversary prize is presented with the Bagri Foundation and will be awarded to an established international artist whose practice has ‘significantly contributed to art that resonates with our times’. An exhibition of work by the nominees is now open across five venue partners in Wales, with the seven artists presenting major solo projects that ‘collectively address issues surrounding land use, territory and displacement through histories of environmental change, conflict and enforced migration, conditions that speak to us all today’."

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Khalil Rabah « Khalil Rabah's imagined museum takes Palestinian plight to Europe », —  Maggie Ghali | via Art & Design, November 12, 2023
Khalil Rabah « Khalil Rabah's imagined museum takes Palestinian plight to Europe », — Maggie Ghali | via Art & Design, November 12, 2023

"Khalil Rabah has taken his traveling 20-year exhibition to Europe to share the plight of Palestinians."

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Wael Shawky « Songs of becoming and drowning », —  Jim Quilty | via L'Orient Today, September 14, 2023
Wael Shawky « Songs of becoming and drowning », — Jim Quilty | via L'Orient Today, September 14, 2023

"The work in Wael Shawky’s "I Am Hymns of the New Temples" boasts Greco-Roman tales, Pompeiian and Nile locations, and not-quite-human characters."

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« La galerie Sfeir-Semler inaugure un second espace avec une exposition de Rayyane Tabet », —  Gilles Khoury | via L'Orient-Le Jour, September 5, 2023
« La galerie Sfeir-Semler inaugure un second espace avec une exposition de Rayyane Tabet », — Gilles Khoury | via L'Orient-Le Jour, September 5, 2023

"Trente-huit ans après l’ouverture de sa galerie en Allemagne, dix-huit ans après son installation dans le quartier de la Quarantaine à Beyrouth, Andrée Sfeir-Semler vient d’inaugurer un second espace, dans le centre-ville de Beyrouth, à la faveur de l’exposition « Arabesque » de Rayyane Tabet qui explore les thèmes de l'héritage, l'appropriation culturelle et la subjectivité de la perception."

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Mounira Al Solh « Threads: Breathing Stories into Materials» and Khalil Rabah « Material Power: Palestinian Embroidery » featured by Emma Crichton-Miller | via Financial Times, August 25, 2023
Mounira Al Solh « Threads: Breathing Stories into Materials» and Khalil Rabah « Material Power: Palestinian Embroidery » featured by Emma Crichton-Miller | via Financial Times, August 25, 2023

"That achievement of complexity or sophistication from humble means is one that echoes through the history of embroidery. For Kettle’s Yard’s current exhibition in Cambridge, Material Power: Palestinian Embroidery (until October 29), the curator and art historian Rachel Dedman has united examples of the highly decorated dresses through which Palestinian women traditionally identified themselves. Through their needlework, the women are fighting against the obliteration of memory, history and a sense of place, embodied in localised traditions of embroidery. Alongside historic pieces are artworks by contemporary artists such as Mona Hatoum, Khalil Rabah, Mounira Al Solh, Aya Haidar, Majd Abdel-Hamid and Maeve Brennan which honour the craft’s potent legacy."

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Rabih Mroué « Rabih Mroué's Pixelated Revolution», — Ana Janevski, May Makki | via MoMA Magazine, May 24, 2023
Rabih Mroué « Rabih Mroué's Pixelated Revolution», — Ana Janevski, May Makki | via MoMA Magazine, May 24, 2023

"At the outset of the Syrian Revolution in 2011, Lebanese artist Rabih Mroué began engaging with cell phone videos shot by civilians that were proliferating on YouTube and Facebook. With the rise of social media, these videos circulated to an international audience, disrupting the heavily regulated images produced by the Syrian regime. The Pixelated Revolution reflects Mroué’s attempt to apprehend the images shot by protestors, for whom producing a record was a final act preceding their murders by the regime."

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Rayyane Tabet "Le Grand Retour de Rayyane Tabet", — Gilles Khoury | via L'Orient-Le Jour, May 10, 2023
Rayyane Tabet "Le Grand Retour de Rayyane Tabet", — Gilles Khoury | via L'Orient-Le Jour, May 10, 2023

"À la faveur de son installation immersive « The Return »*,Rayyane Tabet déploie avec la magie qui est la sienne un voyage, à mi-chemin entre enquête policière et paysage émotionnel, rapiéçant l’histoire d’une tête de taureau exhumée lors des fouilles du temple d’Echmoun à Saïda en juillet 1967 avant de réapparaître en 2017, dans les galeries gréco-romaines du Metropolitan Museum of Art à New York..."

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Rayyane Tabet "Civil war looting, American justice and a bull's head", — Jim Quilty | via L'Orient Today, May 10, 2023
Rayyane Tabet « Civil war looting, American justice and a bull's head», — Jim Quilty | via L'Orient Today, May 10, 2023

"Rayyane Tabet discusses ‘The Return,’ his current show at Sfeir-Semler gallery, and how objects mean."

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Akram Zaatari, “Interview with Akram Zaatari” — Julia Kozakiewicz | via The White Review, March 2023
Akram Zaatari, “Interview with Akram Zaatari” — Julia Kozakiewicz | via The White Review, March 2023

“Akram Zaatari was born in Saida, Lebanon in 1966. While growing up, armed conflict and a perpetual crisis loomed over everyday life. At a young age he began documenting life in Saida under Israeli occupation, taking photographs and collecting documents and objects specific to the culture and political landscape of the time. Zaatari revisited some of these documents, oral histories and photographs in the installation ‘Letter to a Refusing Pilot’, while representing Lebanon at the 55th Venice Biennial in 2013.”

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Sung Tieu, “Alternative Investments” — Catharine Quan Damman | via Artforum, April 2023
Sung Tieu, “Alternative Investments” — Catharine Quan Damman | via Artforum, April 2023

“Artistic interest in paranoia, conspiracy, and governmental secrecy is hardly new. Yet Tieu’s work is representative of a particular strain of recent art demanding further elaboration. By this I mean work that is first and foremost research-based, frequently comprising ready-made elements incorporated into larger installation-cum-environments and often, but not always, mobilizing video, sound, and other screen infrastructures. … This work is like many of these categories, but it is not properly any of them. It shimmers with similitude but parries true equivalence.”

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Taysir Batniji, Exhibition review “No Condition is Permanent”, Mathaf - Arab Museum of Modern Art — Nadine Khalil | via Frieze, March 2023
Taysir Batniji, Exhibition review “No Condition is Permanent”, Mathaf - Arab Museum of Modern Art — Nadine Khalil | via Frieze, March 2023

“Much of Batniji’s practice encapsulates this need to capture immateriality and the residues of loss. At the entrance of ‘No Condition Is Permanent’, his survey show at Mathaf in Doha, sits Impossible Journey (2002–09), an installation the artist created by laboriously shovelling sand from one spot to another – a performance captured in an accompanying looped video. Shown alongside ID Project (1993–2020), which documents the arduous process the stateless Palestinian artist undertook to obtain residency in France, the work frames the sense of dispossession – from land and nationality – that comprises the Palestinian condition.”

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