Press

Dana Awartani, Dana Awartani on Representing Saudi Arabia at the 61st Venice Biennale | via ArtReview, 05/2026
Lawrence Abu Hamdan, If You See Only 6 Venice Shows, Make It These by Jason Farago, Blake Gopnik and Aruna D’Souza | via The New York Times, 05/2026
Dana Awartani, Saudi Pavilion at Venice Biennale Recreates 23 Destroyed Heritage Sites in a Monumental Floor Installation by Maghie Ghali | via AD Middle East, 05/2026
Lawrence Abu Hamdan, What not to miss at the 2026 Venice Biennale by Lanre Bakare, Charlotte Higgins and Alex Needham | via The Guardian, 05/2026
Dineo Seshee Bopape, 5 Standout Artworks at Carnegie International 2026 by Gabriella Angeleti | via Artsy, 05/2026
Lawrence Abu Hamdan, Off-Site Exhibitions Review: The Politics of Listening by Vanessa Peterson | via Frieze, 05/2026
Sung Tieu, Venice Biennale 2026 Highlights: Arsenale & Giardini | via ArtReview, 05/2026
Walid Raad, 6 Artworks That Define the 2026 Venice Biennale’s Main Exhibition by Josie Thaddeus-Johns | via Artsy, 05/2026
Yto Barrada, Au pavillon français, Yto Barrada annonce la couleur by Alexandre Crochet | via The Art Newspaper, 05/2026
Sung Tieu, Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale by Tessa Solomon | via ARTnews, 05/2026
Walid Raad, “In Minor Keys” Is a Major Statement on Perseverance and Play by Emily Watlington | via ARTnews, 05/2026
Dana Awartani, Sung Tieu, The 10 Best National Pavilions at the 2026 Venice Biennale by Jameson Johnson and Casey Lesser | via Artsy, 05/2026
Dana Awartani, Saudi Arabia’s Dana Awartani documents destroyed heritage sites by Pablo Larios, Dana Awartani | via Artforum, 05/2026
Sung Tieu, In Venice, the German pavilion reframes an uneasy postwar past – and present by Duncan Ballantyne-Way | via Art Basel, 05/2026
Dana Awartani, Yto Barrada, Our pick of the best pavilions at the 61st Venice Biennale | via The Art Newspaper, 05/2026
Sung Tieu, Sung Tieu on Representing Germany at the 61st Venice Biennale | via ArtReview, 05/2026
Sung Tieu, Sung Tieu Refaces the German Pavilion by Pablo Larios, Sung Tieu | via Artforum, 05/2026
Sung Tieu, A Pavilion of Ruins: Germany Reconsiders Its Past in Venice by Charlotte Burns | via Artnet, 05/2026
Dana Awartani, With Nearly 30,000 Clay Earth Bricks, Dana Awartani Remakes History in the Saudi Arabia Pavilion by Sarah Douglas | via ARTnews, 05/2026
Yto Barrada, Yto Barrada weaves histories of beauty and destruction at the Venice Biennale by Emily LaBarge | via Art Basel, 05/2026
Sung Tieu, Sung Tieu and the Art of Difficulty by Louisa Elderton | via Frieze, 04/2026
Sung Tieu, A new generation of ‘post-medium’ artists rises at the Venice Biennale by Charlotte Burns | via The Financial Times, 04/2026
Lawrence Abu Hamdan, the ‘private ear’ who investigates government cover-ups by Tom Faber | via The Financial Times, 04/2026
Walid Raad, exposé à la Biennale de Venise : «Je ne pense pas l’histoire d’un côté et la fiction de l’autre» by Ève Beauvallet | via Libération, 04/2026
Yto Barrada, Like Saturn, Know Thyself by Övül Ö. Durmuşoğlu | via Mousse, 04/2026
Lawrence Abu Hamdan, Barbican announces Repercussions: a landmark cross-arts takeover led by Turner Prize-winning artist Lawrence Abu Hamdan | via Barbican Centre, 04/2026
Mounira Al Solh, Affective Rematriation in the Art of Mounira Al Solh by Danielle Andréa Krikorian | via Tate, 04/2026
Etel Adnan, Etel Adnan and Giorgio Morandi “Vibrazioni” at Museo Morandi, Bologna | via Mousse, 04/2026
Samia Halaby, The youngest and oldest New York artists in the Whitney Biennial, in conversation by Ryan Kailath | via Gothamist, 03/2026
Alia Farid, Alia Farid looks inside a hall of mirrors by Noor Tamari | via Art21, 02/2026
Alia Farid, A Drive to the Iraq-Kuwait Border with Alia Farid by Maru Pabón | via Frieze, 02/2026
Dana Awartani, Dana Awartani Mends Ancestral Wounds by Fawz Kabra | via Frieze, 02/2026
Bayan Kiwan, Inside Beirut’s Sfeir-Semler Gallery: Art Documenting a Region by Barbara Yakimchuk | via The Sandy Times, 02/2026
Bayan Kiwan, Sexy oils, on canvas and ceramic by Jim Quilty | via L'orient Today, 02/2026
Dana Awartani, ArtReview Podcast | Episode 1 by Mark Rappolt | via ArtReview, 02/2026
Bayan Kiwan, The Quiet Architecture of Feeling by Soraya Durand | via Naso Art Journal, 02/2026
Wael Shawky, Puppet Regimes by Leyla Spratley, 01/2026
Tarik Kiswanson, The Incredible Story of the Pianos That Fell From the Sky During World War II by Valérie Duponchelle | via Le Figaro, 01/2026
Dana Awartani, 8 Gulf Artists Defining the Region’s New Cultural Renaissance by Rebecca Anne Proctor | via artnet, 12/2025
Yto Barrada, Le rose n’est pas rose, Yto Barrada selon Yasmine Seale | via Fondation Pernod Ricard, 12/2025
Wael Shawky, Wael Shawky and Vincenzo de Bellis on reimagining Art Basel for Qatar by Skye Sherwin | via Art Basel, 12/2025
MARWAN, À la Fondation Giacometti, le troublant face-à-face entre le sculpteur et le peintre Marwan by Laurent Boudier | via Télérama, 12/2025
Tarik Kiswanson, The 10 Best Paris Art Shows of 2025 by Eurídice Arratia | via Hyperallergic, 12/2025
Yto Barrada, Bursting at the Seams: Yto Barrada at South London Gallery by Elise Morton | via Canvas, 12/2025
Dana Awartani, The 8 Exhibitions to See in December 2025 | via ArtReview, 12/2025
Lawrence Abu Hamdan, Akram Zaatari, The Soundscape of Genocide in Gaza by Ellie Armon Azoulay | via Hyperallergic, 12/2025
Dr. Andrée Sfeir-Semler, Wael Shawky, Power 100. The annual ranking of the most influential people in art by ArtReview | via ArtReview, 12/2025
Etel Adnan, Reconsidering Apocalypse: Etel Adnan and the Horizon by Rana Barakat | via e-flux, 12/2025
Samia Halaby, Samia Halaby has not forgotten Jaffa! by Rima Al Nakhl | via al-akhbar, 12/2025
Lawrence Abu Hamdan, Lawrence Abu Hamdan “Zifzafa” at MUNCH, Oslo | via Mousse Magazine, 12/2025
Sung Tieu, Artist Sung Tieu Sells Work to Fund New Board Member for Berlin’s KW Institute by Harrison Jacobs | via ARTnews, 12/2025
Tarik Kiswanson, Tarik Kiswanson at the Swedish Institute: Exile, Memory & Steinway’s Victory Vertical Pianos by Lise Guéhenneux | via Crash Magazine, 12/2025
Dana Awartani, Craft As Resistance: An Interview with Dana Awartani by Eve Rogers | via Berlin Art Link, 11/2025
Sung Tieu, Sung Tieu: Meisterin der latenten Verknüpfungen by Irène Unholz | via Kunstbulletin, 11/2025
Khalil Rabah, 18th Istanbul Biennial by Kaya Genç | via Artforum, 11/2025
MARWAN, What Marwan’s Portraits Reveal About Change: Reflections on Marwan’s Soul in Exile Retrospective by Mariam Tolba | via Naso Art Journal, 11/2025
Lawrence Abu Hamdan, Lawrence Abu Hamdan in Oslo – Kampf gegen Windmühlen by Tobi Müller | via Monopol, 11/2025
Dana Awartani, Dana Awartani to represent Saudi Arabia at 2026 Venice Biennale | via Artforum, 11/2025
Dana Awartani, Exclusive: Dana Awartani to represent Saudi Arabia at Venice Biennale 2026 by Melissa Gronlund | via The Art Newspaper, 11/2025
Sung Tieu, 10 Highlights der Kölner Messerwoche by Elke Buhr | via Monopol, 11/2025
Lawrence Abu Hamdan, Interview by Christabel Stewart | via TANK Magazine, 11/2025
Yto Barrada, An Introduction to Yto Barrada’s ‘Thrill, Fill and Spill’ | via ArtReview, 10/2025
Wael Shawky, shortlisted for Artist of the Year | via Apollo Magazine, 10/2025
Tarik Kiswanson, Tarik Kiswanson “The Relief” at Institut suédois, Paris | via Mousse Magazine, 10/2025
Sung Tieu, Sung Tieu’s “Bleed” by Aoife Rosenmeyer | via e-flux, 10/2025
Lawrence Abu Hamdan, Lawrence Abu Hamdan’s Latest Exhibition Brings the Blast of Golan Heights Wind Turbines to Oslo by Chris Erik Thomas | via ARTnews, 09/2025
Dana Awartani, Soothing Balm: Dana Awartani at Arnolfini by Leila Lebreton | via Canvas, 09/2025
Samia Halaby, ‘Everyone’s become more extreme’ by Arwa Mahdawi | via The Guardian, 09/2025
Mounira Al Solh, Dancing with Ritual – Mounira Al Solh at Bonnefanten Museum by Nat Muller | via metropolis, 09/2025
Dana Awartani, Standing by the ruins by Oliver Basciano | via e-flux, 09/2025
Lawrence Abu Hamdan, Lawrence Abu Hamdan's "Zifzafa" (2024-25) by Jim Quilty | via Artforum, 09/2025
Mounira Al Solh, Versehrte Heldinnen by Saskia Trebing, 08/2025
Mounira Al Solh, Contemporary embroidery with surprising conceptual heft by Emma Crichton-Miller | via Financial Times, 08/2025
Dr. Andrée Sfeir-Semler, From Kiel to Beirut: Andrée Sfeir-Semler’s Journey by Ricardo Karam | via youtube, 08/2025
Dana Awartani, Gentle Reparation of Gaza by Anna Souter | via Hyperallergic, 08/2025
Wael Shawky, Wael Shawky explores a theatrical moment in history in Edinburgh by Amah-Rose Abrams | via Wallpaper*, 07/2025
MARWAN, the art of exile by Jessica Lack | via Christie´s, 07/2025
Walid Raad, Trellis Art Fund Names 2025 Milestone Grant Recipients by News Desk | via Artforum, 07/2025
Dana Awartani, ‘It’s important to talk about these things’ by Steven Morris | via The Guardian, 06/2025
Dineo Seshee Bopape, Zürich Art Weekend by Orit Gat | via e-flux, 06/2025
Tarik Kiswanson, Hundert Jahre ohne Worte by Eva-Maria Magel | via Frankfurter Allgemeine, 06/2025
Mounira Al Solh, Dancing on the Ruins, a short documentary about and with Mounira Al Solh by Bibi Fadlalla | via Ammodo Docs, 06/2025
Sung Tieu, Henrike Naumann & Sung Tieu to represent Germany at 2026 Venice Biennale | via Institute for Foreign Cultural Relations, 05/2025
Lawrence Abu Hamdan, ‘Someone Chewing‘ LAWRENCE ABU HAMDAN listens in on the ‘lords of sound’ by Jim Quilty | via L´Orient Today, 04/2025
Mounira Al Solh, Mounira Al-Solh réincarne le mythe dans notre temporalité by Briac Saint Loubert Bié | via agenda culturel, 04/2025
MARWAN, Mentorship Traces in the Archive | Case: Marwan Kassab Bachi and Gazan Artists by Ala Younis, 04/2025
Rayyane Tabet, "12 Standouts at the 2022 Whitney Biennial" by Maximilíano Durón | via ARTnews, 03/2025
Akram Zaatari, Akram Zaatari’s infinite frames by Taous Dahmani | via Dazed, 03/2025
Yto Barrada, “DEADHEAD” at Fondazione Merz, Turin | via MOUSSE, 03/2025
Yto Barrada, Yto Barrada’s Investigations into Colour and Craft by Giovanna Manzotti | via FRIEZE, 03/2025
Lawrence Abu Hamdan, Walid Raad, The Atlas Group, The 100 Best Artworks of the 21st Century by the Editors of ARTnews, Art in America | via ARTnews, 03/2025
Taysir Batniji, Finding Emptiness: Gaza Artist Taysir Batniji in Beirut by Jim Quilty | via The Markaz Review, 02/2025
Alia Farid, When the Path Runs Out by Christian House | via canvas, 01/2025
Taysir Batniji, Taysir Batniji exprime, à travers son art, ce que les mots ne peuvent pas dire… by Gilles Khoury | via L´Orient Le Jour, 01/2025
Wael Shawky, Wael Shawky Aims to Kill Drama in His Art  by Rahel Aima | via FRIEZE, 01/2025
Akram Zaatari, Pretend same-sex marriages, a bomb explosion and a jealous husband: the legacy of a legendary Arab photo studio by Dalia Al-Dujaili | via British Journal of Photography, 01/2025
Dana Awartani, A Continuum of Care and Conscience finds Cognisance in Dana Awartani’s Eclectic Art by Dilpreet Bhullar | via icon, 01/2025
Lawrence Abu Hamdan, ‘To cough was to risk death’: the artist who mapped Syria’s Sednaya prison with testimonies from its survivors by Lawrence Abu Hamdan | via The Guardian, 12/2024
Yto Barrada, Yto Barrada to represent France at 2026 Venice Biennale by Alexandre Crochet | via The Art Newspaper, 11/2024
Taysir Batniji, Photobook exploring the suffering of families in Gaza awarded top prize at Paris Photo by Simon Bainbridge | via The Art Newspaper, 11/2024
Khalil Rabah, Terra Infirma: Khalil Rabah at Brief Histories by Osman Can Yerebakan | via Canvas, 11/2024
Khalil Rabah, Khalil Rabah's imagined museum takes Palestinian plight to Europe by Maggie Ghali | via The National, 11/2024
Taysir Batniji, Le portrait Taysir Batniji, les clés de Gaza by Sibylle Grandchamp | via Libération, 11/2024
Etel Adnan, Sea and Fog | via e-flux, 11/2024
Christine Streuli, Christine Streuli im Gespräch mit Sabine Schaschl by Sabine Schaschl | via Museum Haus Konstruktiv, 11/2024
Tarik Kiswanson, Spotlight: Pablo Larios on Tarik Kiswanson by Pablo Larios | via Artforum, 10/2024
Tarik Kiswanson, Spotlight by Pablo Larios | via Artforum, 10/2024
Alia Farid, "Alia Farid: Bneid Al Gar" at Henie Onstad Kunstsenter, Høvikodden | via Mousse Magazine, 09/2024
Rabih Mroué, Exploring the Roots of Mideast Turbulence Onstage by Laura Cappelle | via The New York Times, 09/2024
Rabih Mroué, Interview with Stanley Wolukau-Wanambwa | via BOMB, 09/2024
Alia Farid, ‘Bneid Al Gar’ | via Selections Magazine, 09/2024
Walid Raad, Walid Raad named Professor of Photography at Bard College Beginning Fall 2024 | via Bard, 09/2024
Christine Streuli, Schritt für Schritt zum kraftvollen Gesamtbild by Pascal Trüb | via Züricher Kantonalbank, 08/2024
Tarik Kiswanson, Crossing: Tarik Kiswanson in conversation with Asad Raza by Mousse | via MOUSSE, 08/2024
Walid Raad, Interview mit Walid Raad. Gegen das Denken in Schwarz-Weiss by Brigitte Ulmer | via Bolero Magazin, 08/2024
MARWAN, Syrian Artist Marwan Kassab-Bachi's Lifelong Legacy Celebrated in Christie’s Latest Exhibition by Rawaa Talass | via Architectural Digest Middle East, 08/2024
Walid Raad, Another Festival of (In)gratitude | via e-flux, 08/2024
Wael Shawky, An Egyptian Artist Mesmerizes in Venice With an Opera and a Donkey by Aruna D’Souza, 07/2024
Lawrence Abu Hamdan, How Lawrence Abu Hamdan Hears the World by Doreen St. Félix | via The New Yorker, 07/2024
Taysir Batniji, Taysir Batniji commemorates pre-war Gaza via ‘poor images’ by Diane Smyth | via British Journal of Photography, 07/2024
Wael Shawky, The Best Booths at Art Basel, From a Revisionist ‘Origine du Monde’ to Jellyfish-Like Creatures by Sarah Belmont | via ARTnews, 06/2024
Marwan Rechmaoui, Chasing the Sun by Kaelen Wilson-Goldie | via e-flux, 05/2024
Yto Barrada, Yto Barrada’s Le Grand Soir at MoMA PS1 is a concrete manifesto about Moroccan acrobatics, postcolonial Brutalism, and so much more by Daniel Jonas Roche | via The Architect's Newspaper, 04/2024
Wael Shawky, Venice Biennial 2024: WAEL SHAWKY represents Egypt with 'Drama 1882' | via La Biennale di Venezia, 04/2024
Mounira Al Solh, The 10 Best National Pavilions at the 60th Venice Biennale by Casey Lesser | via Artsy, 04/2024
Mounira Al Solh, The 10 Best National Pavilions at the Venice Biennale by Alex Greenberger | via ARTnews, 04/2024
Wael Shawky, Here Are 7 Standout Pavilions at the 2024 Venice Biennale by Naomi Rea | via artnet, 04/2024
Yto Barrada, On view: Yto Barrada's large-scale installation "Le Grand Soir" at MoMAPS1 | via MoMa, 04/2024
Mounira Al Solh, Myths, history and trauma haunt Lebanon’s pavilion by Rachel Spence | via Financial Times, 04/2024
Alia Farid, Alia Farid Captures the Daily Life of Puerto Rico’s Palestinian Community by Fernanda Brenner | via Frieze, 04/2024
Mounira Al Solh, A Dance with her Myth | via e-flux, 04/2024
Rayyane Tabet, What’s a Museum For? by J.J. Charlesworth | via ArtReview, 04/2024
Wael Shawky, unveils his Venice Biennale project | via Art Basel, 04/2024
Rayyane Tabet, The Deep Blue: Rayyane Tabet at Mudam by Will Jennings | via canvas, 03/2024
Marwan Rechmaoui, Chasing the Sun by Marwan Rechmaoui at Sfeir-Semler Downtown, Beiru | via Selections, 03/2024
Tarik Kiswanson, THE UNFINISHED BUSINESS OF SENTIMENTALITY by Ana Teixeira Pinto | via Texte zur Kunst, 03/2024
Yto Barrada, The Interview by Jenny Wu | via ArtReview, 03/2024
Dana Awartani, From Saudi Arabia to Venice by Rebecca Anne Proctor | via Arab News, 03/2024
Mounira Al Solh, Mounira Al Solh’s handmade tales of displacement by Jim Quilty | via L´Orient Today, 02/2024
Rayyane Tabet, Art of the blue – the chilly iconoclasm of Rayyane Tabet by Digby Warde-Aldam | via Apollo, 02/2024
Wael Shawky, The Strata of Life: Wael Shawky at Sfeir-Semler Gallery by Maghie Ghali | via canvas, 02/2024
Alia Farid, "The work I do is about looking beyond categories" by Stephanie Bailey | via Ocula, 02/2024
Etel Adnan, Ithra exhibition honors late Lebanese-American artist Etel Adnan | via Arab News, 02/2024
Mounira Al Solh, Artes Mundi 10 Questionnaire: Mounira Al Solh | via ArtReview, 01/2024
Alia Farid, Artes Mundi 10 Questionnaire: Alia Farid | via ArtReview, 01/2024
Alia Farid, On the impact of extractive industries in Iraq and Kuwait by Louisa Buck | via The Art Newspaper, 12/2023
Dineo Seshee Bopape, Interview by Zoë Hopkins | via BOMB Magazine, 12/2023
Dineo Seshee Bopape, Between Mud, Matter and Mother: A Conversation with Dineo Seshee Bopape by Lotta Petronella | via NO NIIN, 12/2023
Khalil Rabah, Palestinian Museum of Natural History and Humankind: a cultural revolution by Francesco Liggieri | via Juliet Art Magazine, 11/2023
Tarik Kiswanson, Awarded The Marcel Duchamp Prize 2023 | via monopol, 10/2023
Ania Soliman, ‘Terraform’: Artist Ania Soliman on people as ‘cyborg entities’ by Jim Quilty | via L´Orient Le Jour, 09/2023
Wael Shawky, Songs of becoming and drowning by Jim Quilty | via L´Orient Le Jour, 09/2023
Ania Soliman, la nature à travers l’écran et l’écran à travers la nature by Gilles Khoury | via L´Orient Le Jour, 09/2023
Dr. Andrée Sfeir-Semler, La galerie Sfeir-Semler inaugure un second espace avec une exposition de Rayyane Tabet by Gilles Khoury | via L´Orient Le Jour, 09/2023
Rayyane Tabet, La galerie Sfeir-Semler inaugure un second espace avec une exposition de Rayyane Tabet by Gilles Khoury | via L'Orient-Le Jour, 09/2023
Rabih Mroué, Rabih Mroué’s Pixelated Revolution by Ana Janevsky, May Makki | via MoMa, 05/2023
Rayyane Tabet, Civil war looting, American justice and a bull's head by Jim Quilty | via L´Orient Le Jour, 05/2023
Rayyane Tabet, Le Grand Retour de Rayyane Tabet by Gilles Khoury | via L´Orient Le Jour, 05/2023
Sung Tieu, Alternative Investments by Catharine Quan Damman | via Artforum, 04/2023
Samia Halaby, PAINTING AND THE PERSONAL COMPUTER by Alex Estorick | via Rick Click Save, 03/2023
Dana Awartani, Dana Awartani on using craft—which is ‘seen as a bad word’ by Lee Cheshire | via The Art Newspaper, 03/2023
Taysir Batniji, Taysir Batniji Magnifies the Palestinian Condition by Nadine Khalil | via Frieze, 03/2023
Akram Zaatari, Interview by Julia Kozakiewicz | via The White Review, 03/2023
Samia Halaby, L’énergie vitale des couleurs chez Samia Halaby et Farid Haddad by Danny Mallat | via L´Orient Le Jour, 03/2023
Lawrence Abu Hamdan, on 45th Parallel at Spike Island, Bristol by Jonah Goldman | via Artforum, 02/2023
Rabih Mroué, Zurückgeworfen auf den Libanon by Paul Weinheimer | via Hamburger Abendblatt, 02/2023
Samia Halaby, De-coding Colors | via Selections, 01/2023
Samia Halaby, Entre avant-gardisme et perfectionnisme: l'univers de Samia Halaby by Lise Picquette | via agenda culturel, 01/2023
Samia Halaby, Le dialogue des formes et des couleurs by Nayla Tamraz | via Ici Beyrouth, 01/2023
Ania Soliman, L’art pour repenser notre rapport à la nature et à la technologie by Amaya Singh | via agenda culturel, 09/2022
Mounira Al Solh, What Makes and Breaks Community by Mark Rappolt | via Art Review, 09/2022
Ania Soliman, Terraform: une poétique de la machine et du vivant by Nayla Tamraz | via Ici Beyrouth, 08/2022
Christine Streuli, Christine Streuli on her permanent installation in Basel, 08/2022
Sung Tieu, Top 5 Works on Frieze Viewing Room by Jacopo Crivelli | via Frieze, 05/2022
Mounira Al Solh, Embroidering a monument to women’s stories and sorrow by Juliana Halpert | via Artforum, 05/2022
Tarik Kiswanson, installe son « Nid » à la galerie Sfeir-Semler by Zéna ZALZAL | via L´Orient Le Jour, 04/2022
Yto Barrada, Weather and Wordplay by Cassie Packard | via BOMB, 04/2022
Aref El Rayess, Beirut and the Golden Sixties by Ingo Arend | via Süddeutsche Zeitung, 04/2022
Rabih Mroué, What to See in Europe this April by Carina Bukuts | via Frieze, 04/2022
Dineo Seshee Bopape, Immersive Mythen: Dineo Seshee Bopape in der Secession by Quirin Brunnmeier | via gallerytalk, 03/2022
Walid Raad, "Was ist wahr, was ist Fiktion?" by Kassandra da Silva | via Schirn, 03/2022
Rabih Mroué, Why Rabih Mroué Seeks to Complicate our Perception of Reality and Truth by Carina Bukuts | via Frieze, 03/2022
Yto Barrada, Remembering the World of Bettina, Resident Artist of the Chelsea Hotel. Interview with Yto Barrada by Lucy Gallun, 02/2022
Walid Raad, "We lived so well together" by Michael Köhler | via Deutschlandfunk, 02/2022
Walid Raad, Der libanesische Künstler Walid Raad in der Kunsthalle Mainz by Schmitz Rudolf | via Deutschlandfunk Kultur, 02/2022
Etel Adnan, IN SHIFTING THE SILENCE by Kaelen Wilson-Goldie | via Artforum, 02/2022
Yto Barrada, A Bordeaux, les fleurs jouent les premiers rôles dans l’art contemporain by Emmanuelle Lequeux | via Le Monde, 01/2022
Etel Adnan, The uprising of colors by Zéna ZALZAL | via L´Orient Le Jour, 01/2022
Aref El Rayess, Ein Schatz wird gehoben by Lena Bopp | via Frankfurter Allgemeine Zeitung, 01/2022
Aref El Rayess, Retrospective by Natasha Gasparian | via Artforum, 01/2022
Etel Adnan, Etel Adnan’s Bittersweet Arrival at the Guggenheim by Max Lakin | via The New York Times, 12/2021
Christine Streuli, Für das journal 12 traf die Klasse Streuli ihre Professorin zum Gespräch by Klasse Streuli | via Universität der Künste Berlin, 12/2021
Lawrence Abu Hamdan, "The Witness-Machine Complex" im Kunstverein Nürnberg. Das Schweigen der Mitschrift. by Gürsoy Doğtaş | via Süddeutsche Zeitung, 11/2021
Marwan Rechmaoui, Beirut by the Sea by Paulina Pobocha | via MoMa, 11/2021
Etel Adnan, an Introduction by Hans Ulrich Obrist by Hans Ulrich Obrist | via Flash Art, 11/2021
Sung Tieu, On Havana Syndrome by Chloe Stead | via Frieze, 10/2021
Lawrence Abu Hamdan, on translation, Nuremberg, and the juridical unconscious by Camila McHugh | via Artforum, 10/2021
Sung Tieu, 2021 Frieze Artist Award by Kabir Jhala | via The Art Newspaper, 10/2021
Dineo Seshee Bopape, Dineo Seshee Bopape: Ile aye, moya, là, ndokh…harmonic conversions…mm at ICA VCU, Richmond | via Burnaway, 10/2021
Dr. Andrée Sfeir-Semler, in conversation with Hans Ulrich Obrist presenting ETEL ADNAN’s book at Art Basel, 09/2021
Sung Tieu, Preis der Nationalgalerie 2021 by Sandra Mujinga | via Staatliche Museen zu Berlin, 09/2021
Dineo Seshee Bopape, Dineo Seshee Bopape on How Art Comes to Life by Ross Simonini | via ArtReview, 09/2021
Etel Adnan, Hans Ulrich Obrist interviews the artists and long-time partners Etel Adnan and Simone Fattal by Hans Ulrich Obrist, 08/2021
Sung Tieu, Was wir opfern by Kito Nedo | via Süddeutsche Zeitung, 08/2021
Sung Tieu, "Research is never neutral" | via Berlin Art Week, 08/2021
Lawrence Abu Hamdan, Meet the artist by Art Basel | via Nowness, 07/2021
Sung Tieu, VEB Vielseitig by Heike Baldauf | via Der Freitag, 07/2021
Marwan Rechmaoui, Talk between Glenn Lowry (MoMA New York) and Marwan Rechmaoui by Glenn Lowry | via MoMa, 07/2021
Etel Adnan, L’œuvre au fil by Zéna ZALZAL | via L´Orient Le Jour, 06/2021
Taysir Batniji, Review: Taysir Batniji by Lilliane Davies | via Artforum, 06/2021
Marwan Rechmaoui, واستمرت الأشجار بالتصويت للفأس .. معرض فني يعيد الحياة إلى غاليري بيروت by Al Araby TV | via Al Araby Television Network, 05/2021
Dr. Andrée Sfeir-Semler, RotarX S2E6 - Contemporary Art in the Arab World, Q&A with Jean-François Parmentier and Dr. Andrée Sfeir-Semler by Jean-François Parmentier, 05/2021
Taysir Batniji, L'œuvre poétique de Taysir Batniji, un artiste palestinien qui évoque l'exil, la quête d'identité, la disparition, au MAC/VAL à Vitry-sur-Seine by Valérie Oddos, 05/2021
Yto Barrada, Discussing "A Raft", Yto Barrada's iteration of MoMA’s Artist’s Choice exhibition series by Lucy Gallun, River Bullock, 05/2021
Marwan Rechmaoui, Aber die Bäume riefen nach der Axt by Lena Bopp | via Frankfurter Allgemeine, 05/2021
Dr. Andrée Sfeir-Semler, "Die Erde ist inzwischen rund in der Kunst" by Susanne Führer | via Deutschlandfunk Kultur, 04/2021
Dr. Andrée Sfeir-Semler, "Die Künstler haben sehr gelitten" by Sebastian Frenzel | via Monopol, 04/2021
Alia Farid, Review: Alia Farid by Lilliane Davies | via Artforum, 09/2020
Akram Zaatari, Akram Zaatari and the Arab Image Foundation by Eva Respini, Ana Janevski | via MoMa, 08/2020
Etel Adnan, The World from rue Madame: Celebrating Etel Adnan by Pablo Larios | via Frieze, 06/2020
Wael Shawky, CELEBRATING THE MIDDLE AGES by Wael Shawky | via Selections, 06/2020
Rayyane Tabet, LET THE RECORD SHOW by Kaelen Wilson-Goldie | via Artforum, 02/2020
Rayyane Tabet, on Robert Smithson | via Dia, 10/2019
Lawrence Abu Hamdan, The Voice Before the Law by Ina Dinter | via Staatliche Museen zu Berlin, 10/2019
Dineo Seshee Bopape, Review: Dineo Seshee Bopape by Jens Asthoff | via Artforum, 03/2019
Etel Adnan, May Be the World’s Greatest Living Colorist by Harry Tafoya | via KQED, 10/2018
Akram Zaatari, Reframing the Public Perception of Muslim Identities by Kaddish Morris | via Frieze, 08/2018
Dineo Seshee Bopape, A South African Artist Made an Ex-President’s Rape Trial into Art by Josie Thaddeus-Johns | via Vice, 07/2018
Aref El Rayess, My father, a giver who brought out the best in me | via Art Dubai, 04/2018
Mounira Al Solh, Drawing Lessons From A Living History by Elliot Reichert | via New City Art, 03/2018
Khalil Rabah, in L'Orient Le Jour by Gilles Khoury | via L´Orient Le Jour, 01/2018
Dr. Andrée Sfeir-Semler, Meet the Gallerist | via Art Basel Miami Beach, 11/2017
Ania Soliman, Ania Soliman interviewed in her studio by Art Dubai, 10/2017
Christine Streuli, Schweizer Malerin: Christine Streuli erhält den Fred-Thieler-Preis by Nina Raddy | via Tagesspiegel, 03/2017
Youssef Abdelké, The artists who have chosen to stay in Syria by Tim Cornwell | via The Art Newspaper, 01/2017
MARWAN, Marwan Kassab-Bachi (1934-2016) by Omar Kholeif | via Artforum, 12/2016
MARWAN, Akademie der Künste trauert um Marwan Kassab-Bachi by Jeanine Meerapfel | via Akademie der Künste, 10/2016
Akram Zaatari, Two Point Perspective (part I): Letter to a Refusing Pilot by Noah Simblist, 08/2016
Etel Adnan, The Exuberant Works of Artist Etel Adnan by Jeanette Farrell | via Another, 07/2016
Marwan Rechmaoui, Marwan Rechmaoui by Kaelen Wilson-Goldie | via Artforum, 04/2016
Yto Barrada, Nominees for the 2016 Prix Marcel Durchamp by Lorena Muñoz-Alonso | via artnet, 02/2016
Walid Raad, In a Performance, Walid Raad Playfully Probes His MoMA Survey by Eva Díaz | via Hyperallergic, 01/2016
Walid Raad, Retrospective by Holland Cotter | via The New York Times, 01/2016
Robert Barry, Interview with Robert Barry by Peter Eleey | via Flash Art, 12/2015
Robert Barry, Robert Barry: All the things I know ... 1962 to present by Alexandra Nicolaides | via The Brooklyn Rail, 03/2015
Etel Adnan, The 90-Year-Old It Girl | via The Wall Street Journal, 02/2015
Akram Zaatari, Zaatari and Madani: Guns, flared trousers and same-sex kisses by Vibeke Venema | via BBC, 02/2014
Youssef Abdelké, A Climate of Unease for Artists in Syria by Michael Kimmelman | via New York Times, 11/2010
Rabih Mroué, Interview mit Rabih Mroué am HKW by Alan Toner, 06/2010
Akram Zaatari, Openings: Akram Zaatari by Kaelen Wilson-Goldie | via Artforum, 01/2010
Robert Barry, Review: Robert Barry by Lisa Turvey | via Artforum, 05/2009
Robert Barry, “Some places to which we can come” by Martin Blättner | via Kunstforum, 01/2003

Dana Awartani, Dana Awartani on Representing Saudi Arabia at the 61st Venice Biennale | via ArtReview, 05/2026

Lawrence Abu Hamdan, If You See Only 6 Venice Shows, Make It These by Jason Farago, Blake Gopnik and Aruna D’Souza | via The New York Times, 05/2026

Dana Awartani, Saudi Pavilion at Venice Biennale Recreates 23 Destroyed Heritage Sites in a Monumental Floor Installation by Maghie Ghali | via AD Middle East, 05/2026

Lawrence Abu Hamdan, What not to miss at the 2026 Venice Biennale by Lanre Bakare, Charlotte Higgins and Alex Needham | via The Guardian, 05/2026

Dineo Seshee Bopape, 5 Standout Artworks at Carnegie International 2026 by Gabriella Angeleti | via Artsy, 05/2026

Lawrence Abu Hamdan, Off-Site Exhibitions Review: The Politics of Listening by Vanessa Peterson | via Frieze, 05/2026

Sung Tieu, Venice Biennale 2026 Highlights: Arsenale & Giardini | via ArtReview, 05/2026

Walid Raad, 6 Artworks That Define the 2026 Venice Biennale’s Main Exhibition by Josie Thaddeus-Johns | via Artsy, 05/2026

Yto Barrada, Au pavillon français, Yto Barrada annonce la couleur by Alexandre Crochet | via The Art Newspaper, 05/2026

Sung Tieu, Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale by Tessa Solomon | via ARTnews, 05/2026

Walid Raad, “In Minor Keys” Is a Major Statement on Perseverance and Play by Emily Watlington | via ARTnews, 05/2026

Dana Awartani, Sung Tieu, The 10 Best National Pavilions at the 2026 Venice Biennale by Jameson Johnson and Casey Lesser | via Artsy, 05/2026

Dana Awartani, Saudi Arabia’s Dana Awartani documents destroyed heritage sites by Pablo Larios, Dana Awartani | via Artforum, 05/2026

Sung Tieu, In Venice, the German pavilion reframes an uneasy postwar past – and present by Duncan Ballantyne-Way | via Art Basel, 05/2026

Dana Awartani, Yto Barrada, Our pick of the best pavilions at the 61st Venice Biennale | via The Art Newspaper, 05/2026

Sung Tieu, Sung Tieu on Representing Germany at the 61st Venice Biennale | via ArtReview, 05/2026

Sung Tieu, Sung Tieu Refaces the German Pavilion by Pablo Larios, Sung Tieu | via Artforum, 05/2026

Sung Tieu, A Pavilion of Ruins: Germany Reconsiders Its Past in Venice by Charlotte Burns | via Artnet, 05/2026

Dana Awartani, With Nearly 30,000 Clay Earth Bricks, Dana Awartani Remakes History in the Saudi Arabia Pavilion by Sarah Douglas | via ARTnews, 05/2026

Yto Barrada, Yto Barrada weaves histories of beauty and destruction at the Venice Biennale by Emily LaBarge | via Art Basel, 05/2026

Sung Tieu, Sung Tieu and the Art of Difficulty by Louisa Elderton | via Frieze, 04/2026

Sung Tieu, A new generation of ‘post-medium’ artists rises at the Venice Biennale by Charlotte Burns | via The Financial Times, 04/2026

Lawrence Abu Hamdan, the ‘private ear’ who investigates government cover-ups by Tom Faber | via The Financial Times, 04/2026

Walid Raad, exposé à la Biennale de Venise : «Je ne pense pas l’histoire d’un côté et la fiction de l’autre» by Ève Beauvallet | via Libération, 04/2026

Yto Barrada, Like Saturn, Know Thyself by Övül Ö. Durmuşoğlu | via Mousse, 04/2026

Lawrence Abu Hamdan, Barbican announces Repercussions: a landmark cross-arts takeover led by Turner Prize-winning artist Lawrence Abu Hamdan | via Barbican Centre, 04/2026

Mounira Al Solh, Affective Rematriation in the Art of Mounira Al Solh by Danielle Andréa Krikorian | via Tate, 04/2026

Etel Adnan, Etel Adnan and Giorgio Morandi “Vibrazioni” at Museo Morandi, Bologna | via Mousse, 04/2026

Samia Halaby, The youngest and oldest New York artists in the Whitney Biennial, in conversation by Ryan Kailath | via Gothamist, 03/2026

Alia Farid, Alia Farid looks inside a hall of mirrors by Noor Tamari | via Art21, 02/2026

Alia Farid, A Drive to the Iraq-Kuwait Border with Alia Farid by Maru Pabón | via Frieze, 02/2026

Dana Awartani, Dana Awartani Mends Ancestral Wounds by Fawz Kabra | via Frieze, 02/2026

Bayan Kiwan, Inside Beirut’s Sfeir-Semler Gallery: Art Documenting a Region by Barbara Yakimchuk | via The Sandy Times, 02/2026

Bayan Kiwan, Sexy oils, on canvas and ceramic by Jim Quilty | via L'orient Today, 02/2026

Dana Awartani, ArtReview Podcast | Episode 1 by Mark Rappolt | via ArtReview, 02/2026

Bayan Kiwan, The Quiet Architecture of Feeling by Soraya Durand | via Naso Art Journal, 02/2026

Wael Shawky, Puppet Regimes by Leyla Spratley, 01/2026

Tarik Kiswanson, The Incredible Story of the Pianos That Fell From the Sky During World War II by Valérie Duponchelle | via Le Figaro, 01/2026

Dana Awartani, 8 Gulf Artists Defining the Region’s New Cultural Renaissance by Rebecca Anne Proctor | via artnet, 12/2025

Yto Barrada, Le rose n’est pas rose, Yto Barrada selon Yasmine Seale | via Fondation Pernod Ricard, 12/2025

Wael Shawky, Wael Shawky and Vincenzo de Bellis on reimagining Art Basel for Qatar by Skye Sherwin | via Art Basel, 12/2025

MARWAN, À la Fondation Giacometti, le troublant face-à-face entre le sculpteur et le peintre Marwan by Laurent Boudier | via Télérama, 12/2025

Tarik Kiswanson, The 10 Best Paris Art Shows of 2025 by Eurídice Arratia | via Hyperallergic, 12/2025

Yto Barrada, Bursting at the Seams: Yto Barrada at South London Gallery by Elise Morton | via Canvas, 12/2025

Dana Awartani, The 8 Exhibitions to See in December 2025 | via ArtReview, 12/2025

Lawrence Abu Hamdan, Akram Zaatari, The Soundscape of Genocide in Gaza by Ellie Armon Azoulay | via Hyperallergic, 12/2025

Dr. Andrée Sfeir-Semler, Wael Shawky, Power 100. The annual ranking of the most influential people in art by ArtReview | via ArtReview, 12/2025

Etel Adnan, Reconsidering Apocalypse: Etel Adnan and the Horizon by Rana Barakat | via e-flux, 12/2025

Samia Halaby, Samia Halaby has not forgotten Jaffa! by Rima Al Nakhl | via al-akhbar, 12/2025

Lawrence Abu Hamdan, Lawrence Abu Hamdan “Zifzafa” at MUNCH, Oslo | via Mousse Magazine, 12/2025

Sung Tieu, Artist Sung Tieu Sells Work to Fund New Board Member for Berlin’s KW Institute by Harrison Jacobs | via ARTnews, 12/2025

Tarik Kiswanson, Tarik Kiswanson at the Swedish Institute: Exile, Memory & Steinway’s Victory Vertical Pianos by Lise Guéhenneux | via Crash Magazine, 12/2025

Dana Awartani, Craft As Resistance: An Interview with Dana Awartani by Eve Rogers | via Berlin Art Link, 11/2025

Sung Tieu, Sung Tieu: Meisterin der latenten Verknüpfungen by Irène Unholz | via Kunstbulletin, 11/2025

Khalil Rabah, 18th Istanbul Biennial by Kaya Genç | via Artforum, 11/2025

MARWAN, What Marwan’s Portraits Reveal About Change: Reflections on Marwan’s Soul in Exile Retrospective by Mariam Tolba | via Naso Art Journal, 11/2025

Lawrence Abu Hamdan, Lawrence Abu Hamdan in Oslo – Kampf gegen Windmühlen by Tobi Müller | via Monopol, 11/2025

Dana Awartani, Dana Awartani to represent Saudi Arabia at 2026 Venice Biennale | via Artforum, 11/2025

Dana Awartani, Exclusive: Dana Awartani to represent Saudi Arabia at Venice Biennale 2026 by Melissa Gronlund | via The Art Newspaper, 11/2025

Sung Tieu, 10 Highlights der Kölner Messerwoche by Elke Buhr | via Monopol, 11/2025

Lawrence Abu Hamdan, Interview by Christabel Stewart | via TANK Magazine, 11/2025

Yto Barrada, An Introduction to Yto Barrada’s ‘Thrill, Fill and Spill’ | via ArtReview, 10/2025

Wael Shawky, shortlisted for Artist of the Year | via Apollo Magazine, 10/2025

Tarik Kiswanson, Tarik Kiswanson “The Relief” at Institut suédois, Paris | via Mousse Magazine, 10/2025

Sung Tieu, Sung Tieu’s “Bleed” by Aoife Rosenmeyer | via e-flux, 10/2025

Lawrence Abu Hamdan, Lawrence Abu Hamdan’s Latest Exhibition Brings the Blast of Golan Heights Wind Turbines to Oslo by Chris Erik Thomas | via ARTnews, 09/2025

Dana Awartani, Soothing Balm: Dana Awartani at Arnolfini by Leila Lebreton | via Canvas, 09/2025

Samia Halaby, ‘Everyone’s become more extreme’ by Arwa Mahdawi | via The Guardian, 09/2025

Mounira Al Solh, Dancing with Ritual – Mounira Al Solh at Bonnefanten Museum by Nat Muller | via metropolis, 09/2025

Dana Awartani, Standing by the ruins by Oliver Basciano | via e-flux, 09/2025

Lawrence Abu Hamdan, Lawrence Abu Hamdan's "Zifzafa" (2024-25) by Jim Quilty | via Artforum, 09/2025

Mounira Al Solh, Versehrte Heldinnen by Saskia Trebing, 08/2025

Mounira Al Solh, Contemporary embroidery with surprising conceptual heft by Emma Crichton-Miller | via Financial Times, 08/2025

Dr. Andrée Sfeir-Semler, From Kiel to Beirut: Andrée Sfeir-Semler’s Journey by Ricardo Karam | via youtube, 08/2025

Dana Awartani, Gentle Reparation of Gaza by Anna Souter | via Hyperallergic, 08/2025

Wael Shawky, Wael Shawky explores a theatrical moment in history in Edinburgh by Amah-Rose Abrams | via Wallpaper*, 07/2025

MARWAN, the art of exile by Jessica Lack | via Christie´s, 07/2025

Walid Raad, Trellis Art Fund Names 2025 Milestone Grant Recipients by News Desk | via Artforum, 07/2025

Dana Awartani, ‘It’s important to talk about these things’ by Steven Morris | via The Guardian, 06/2025

Dineo Seshee Bopape, Zürich Art Weekend by Orit Gat | via e-flux, 06/2025

Wael Shawky, Wael Shawky Aims to Kill Drama in His Art  by Rahel Aima | via FRIEZE, 01/2025