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The Shade
Curated by Jean-Marc Prévost

Lawrence Abu Hamdan, Etel Adnan, Mounira al Solh, Dana Awartani, Yto Barrada, Taysir Batniji, Dineo Seshee Bopape, Alia Farid, Samia Halaby, Tarik Kiswanson, MARWAN, Rabih Mroué, Walid Raad, Khalil Rabah, Aref el Rayess, Marwan Rechmaoui, Wael Shawky, Rayyane Tabet, Sung Tieu, and Akram Zaatari

Walid Raad Prints

The Shade, exhibition view, Sfeir-Semler Gallery Karantina, Beirut, Lebanon, 2025
Walid Raad, Scratching on things I could disavow: A photographic record _ Appendix I, 2003–present, pigmented inkjet prints, 31 × 61 cm each, 3 + 1 AP
Walid Raad, Scratching on things I could disavow: A photographic record _ Appendix I, 2003–present, pigmented inkjet prints, 31 × 61 cm each, 3 + 1 AP
Walid Raad, Scratching on things I could disavow: A photographic record _ Appendix I, 2003–present, pigmented inkjet prints, 31 × 61 cm each, 3 + 1 AP
Walid Raad, Scratching on things I could disavow: A photographic record _ Appendix I, 2003–present, pigmented inkjet prints, 31 × 61 cm each, 3 + 1 AP
The Shade, exhibition view, Sfeir-Semler Gallery Karantina, Beirut, Lebanon, 2025
Walid Raad, Scratching on things I could disavow: A photographic record _ Appendix I, 2003–present, pigmented inkjet prints, 31 × 61 cm each, 3 + 1 AP
Walid Raad, Scratching on things I could disavow: A photographic record _ Appendix I, 2003–present, pigmented inkjet prints, 31 × 61 cm each, 3 + 1 AP
Walid Raad, Scratching on things I could disavow: A photographic record _ Appendix I, 2003–present, pigmented inkjet prints, 31 × 61 cm each, 3 + 1 AP
Walid Raad, Scratching on things I could disavow: A photographic record _ Appendix I, 2003–present, pigmented inkjet prints, 31 × 61 cm each, 3 + 1 AP

Walid Raad, Scratching on things I could disavow: A photographic record _ Appendix I, 2003–present, pigmented inkjet prints, 31 × 61 cm each, 3 + 1 AP

Photographic documents produced by Walid Raad from Algeria to Iran, Turkey to Yemen.

Tarik Kiswanson

Video file

Tarik Kiswanson, The Conservatory (Saint-Denis, 2025), 2025, color, sound, upright 16:9 flatscreen, 16 minutes 20 seconds, 5 + 1 AP

Tarik Kiswanson’s latest video work unfolds within the Conservatoire de Saint-Denis, situated in the northern suburbs of Paris. The conservatory was established in 1977 as a social project to offer music education to children and adults in the underprivileged and multicultural city. Over time, it has evolved into a comprehensive cultural institution, providing lessons in a wide range of musical disciplines. The film quietly observes the hands of three local children—aged 8, 10, and 11—as they grapple with the task of deciphering the score of the Anthem of Europe, commonly known as Ode to Joy, drawn from the final movement of Beethoven’s Ninth Symphony. Through the children’s hands the partition is deconstructed, rewritten and reimagined.

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