Marwan Rechmaoui: But the trees kept voting for the axe.
MARWAN RECHMAOUI
But the trees kept voting for the axe
April 15 - August 12, 2021
Exhibitions
beirut
Press text
"The forest was shrinking but the trees kept voting for the Axe, for the Axe was clever and convinced the trees that because its handle was made of wood, it was one of them."
Sfeir-Semler Gallery is enormously proud to announce the reopening of its Beirut space with Marwan Rechmaoui’s solo exhibition. Despite the severe economic and political crisis we are going through in Lebanon since October 2019, despite the August 4th, 2020 blast that destroyed hundreds of lives, and wrecked our space, despite the sanitary crisis that has brought the whole world to a halt, despite it all, we resist, in pursuit of our mission to promote the city’s brilliant cultural scene and to offer the world a window to look through.
| Handout (EN) | Brochure (FR) | مذكرة (AR) |
Beirut by the sea, 2017-2018
Beirut by the Sea, 2017-2018
Marwan Rechmaoui’s Beirut by the Sea maps the Beirut coastline, looking at the city’s shores on the Mediterranean Sea. Responding to his extensive research on the city of Beirut, which has informed some of his iconic works such as Beirut Caoutchouc, 2004; the artists looks at the boundaries of the city, the exact point where the land ends and where the sea begins.
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Marwan Rechmaoui, Beirut By The Sea, 2017-2018, Exhibition view, Sfeir-Semler Gallery Beirut, 2021
Following the city’s districts that he mapped multiples times, the work is composed of 13 pieces, each representing one of the 13 coastal boroughs. Ever reflecting on the harsh urban tissue of Beirut, Rechmaoui represents it with solid concrete, that stands against the natural fluidity of the beeswax sea. In between these two contrasting elements, the shoreline is traced in brass, bent to follow the sinuous coast and solidify the natural border. The map created might be different from old maps of the Beirut coastline, and reflects on the expanding city that has slowly crept onto the waters. It also presents a city that has been robbed of its public spaces, as the vast majority of the natural waterfront has been either replaced with private upscale resorts, or polluted by landfills and sewers. Beirut by the Sea embeds many historical, geographic, environmental, and socio-urban narratives that are central to Rechmaoui’s work.