A.S. terraform: press text 5

Ania Soliman’s Beirut diary includes insomnia drawings, banknotes and exploding galaxies, and is presented with a group of barrels, recuperated in the gallery neighborhood of Karantina, and constituting a “diwan” made of seats from recycled former oil containers.

Ultimately, the exhibition doesn’t tackle technologies as such, but rather investigates how we feel, talk, and think about them: the core conceptual element of each work culminates in an overwhelming burst of colors.