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Sculpting With Time, 2017




Sculpting With Time, 2017

Negatives bound to cellulose may react to change in temperature and humidity. Their versatile nature, compared to negatives bound to glass, makes them curl causing the emulsion displacement. These are extreme close-ups on two negative sheets that have morphed over time and developed air bubbles and channeling. The first represents the same detail photographed in three different light setups to capture the 3D quality of the object and to differentiate the bubbles from the image on the gelatin. The second represents close-ups of the subjects on the same negative, in this case a portrait of two ladies.

Image

Sculpting With Time, 2017, 6 pigment inkjet prints on backlit UV cloth, 100 x 150 x 10 cm each. Installation view MACBA, Barcelona. © Mirjan Mahmoud_2

Sculpting With Time, 2017, 6 pigment inkjet prints on backlit UV cloth, 100 x 150 x 10 cm each. Installation view MACBA, Barcelona. © Mirjan Mahmoud

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