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Footnotes to Hashem el Madani’s Studio Practices, 2018

On the opposite wall, are presented elements from a site-specific display, Footnotes to Hashem el Madani’s Studio Practices, 2018, which were initially installed directly onto the exhibition walls at New Art Exchange, Nottingham. They are presented here as detached archeological objects.

Image

Akram Zaatari, Footnotes to Hashem el Madani’s Studio Practices, 2018

Akram Zaatari, Footnotes to Hashem el Madani’s Studio Practices, Print transfers on gypsum board, 2018

 

Akram Zaatari, Footnotes to Hashem el Madani’s Studio Practices #2, 2018, Print transfer on gypsum board, 15 x 19 cm
Akram Zaatari, Footnotes to Hashem el Madani’s Studio Practices #4, 2018, Print transfer on gypsum board, 15,5 x 20 cm
Akram Zaatari, Footnotes to Hashem el Madani’s Studio Practices #5, 2018, Print transfer on gypsum board, 17,5 x 15,5 cm
Akram Zaatari, Footnotes to Hashem el Madani’s Studio Practices #6, 2018, Print transfer on gypsum board, 15,5 x 18 cm
Akram Zaatari, Footnotes to Hashem el Madani’s Studio Practices #9, 2018, Print transfer on gypsum board, 15 x 19 cm
Akram Zaatari, Footnotes to Hashem el Madani’s Studio Practices #2, 2018, Print transfer on gypsum board, 15 x 19 cm
Akram Zaatari, Footnotes to Hashem el Madani’s Studio Practices #4, 2018, Print transfer on gypsum board, 15,5 x 20 cm
Akram Zaatari, Footnotes to Hashem el Madani’s Studio Practices #5, 2018, Print transfer on gypsum board, 17,5 x 15,5 cm
Akram Zaatari, Footnotes to Hashem el Madani’s Studio Practices #6, 2018, Print transfer on gypsum board, 15,5 x 18 cm
Akram Zaatari, Footnotes to Hashem el Madani’s Studio Practices #9, 2018, Print transfer on gypsum board, 15 x 19 cm

 

 

 

The exhibition ultimately communicates Zaatari’s expanded definition of photography, acknowledging the fluidity while merging media and forms of production, allowing for ellipsis, short-circuits that remain crucial while reading conflicting yet shared histories.

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