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Assemblage, 1910-2020

Arabesques are usually used in repeating patterns and can be infinitely multiplied in order to cover a surface. In Assemblage -as in several works in the show- Tabet follows the repetition logic by stacking twenty original redwood corbels salvaged from Julia Morgan’s Saint John’s Presbyterian Church in Berkeley. Morgan (1872–1957), who was a student of Bourgoin, was the first female architecture student at the École des Beaux-Arts in Paris and went on to become a prolific representative of the Arts and Crafts movement taking the idea of the arabesque from Europe to North America.

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Rayyane Tabet, Arabeske, Exhibition view Sfeir-Semler Gallery Hamburg 2021

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Rayyane Tabet, Assemblage, 1910-2020, 18,5x18,5x39 cm each, Installation size 39x39 x 186 cm, Exhibition view Sfeir-Semler Gallery Hamburg 2021

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Rayyane Tabet, Assemblage, 1910-2020, 18,5x18,5x39 cm each, Installation size 39x39 x 186 cm, Exhibition view Sfeir-Semler Gallery Hamburg 2021

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Rayyane Tabet, Assemblage, 1910-2020, 18,5x18,5x39 cm each, Installation size 39x39 x 186 cm, Exhibition view Sfeir-Semler Gallery Hamburg 2021

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Rayyane Tabet, Assemblage, 1910-2020, 18,5x18,5x39 cm each, Installation size 39x39 x 186 cm, Exhibition view Sfeir-Semler Gallery Hamburg 2021

Rayyane Tabet, Assemblage, 1910-2020, 20 reclaimed redwood corbels from Julia Morgan's St. John's Presbyterian Church, Berkley, California, 18,5x18,5x39 cm each, Installation size 39x39 x 186 cm, Exhibition view Sfeir-Semler Gallery Hamburg 2021

 

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