Abu_Ghareeb, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Abu_Ghareeb, 2016
Abu_Ghareeb, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Al-Jazeera, 2015
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Al-Jazeera, 2015
Al-Jazeera, 2015
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Arms_Knife_1, 2015
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Arms_Knife_1, 2015
Arms_Knife_1, 2015
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Begeading_ISIS, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Begeading_ISIS, 2016
Begeading_ISIS, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Drone_3, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Drone_3, 2016
Drone_3, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Intifada_5_Arrests, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Intifada_5_Arrests, 2016
Intifada_5_Arrests, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Nakba_48, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Nakba_48, 2016
Nakba_48, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Intifada_Slingshots, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Intifada_Slingshots, 2016
Intifada_Slingshots, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Avions, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Avions, 2016
Avions, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Drone_4, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Drone_4, 2016
Drone_4, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Drome_6, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Drome_6, 2016
Drome_6, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Fares Od_3, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.

Fares Od_3, 2016
Fares Od_3, 2016
wall paper
400 x 61 cm
detail


Wall Paper is an ongoing project started in February 2015 and consists in creating a series of wallpaper whose patterns have been drawn from the images of international news (emblems of recent history, archives, smallest events...).

?"Euphemized" by a support and a technique of representation of high ornamental value, suggesting that the viewer is in front of trivial and pleasant geometric or floral patterns, the revealed images -at a closer look- are often violent, sometimes unbearable. They are scenes produced by wars and oppression, massively relayed by news channels and social networks.?The Wallpaper series collects moments of our history, subjectively selected. It questions the power of fascination exerted by these images, their proliferation and times resistance.