Installation view ‘Walid Raad – ‘Let’s be honest, the weather helped’, Stedelijk Museum Amsterdam, 2019

 

Exhibition views Time, Forward!, V-A-C Foundation, 58th Venice Biennale 2019

 

Appendix 137, 2018

 

Sfeir-Semler Gallery Beirut

 

Preface to the third edition, 2017

 

Better be watching the clouds, 1992/2017


 

Jumex, Mexico, 2016

 

Institute of Contemporary Art Boston, 2016

 

MoMa Exhibition, 2015

 

Istanbul Biennial, 2015

 

Preface to the fourth edition, 2013, single channel video projection, 12 minutes 48 seconds

Postface II, 2014, composed of nine elements, mixed media, 487 x 274 cm, unique

Postface I, 2014, composed of nine elements, mixed media, 487 x 274 cm, unique

 

Preface to the third edition, Acknowledgements, 2014, 8 3D prints of Louvre chimera, mixedmedia

 

Walid Raad. Préface. 23.05 - 14.09 2014. Carré d'Art, Musée d'art contemporain, Nîmes, France.

 

 

Details. 2014. Inkjet print (Archival inks and paper). 122 x 162,5 x 5 cm. Edition 5 + 2 A.P.



 

Preface to the Third Edition, 2013



 

Preface to the Seventh Edition, 2012

 

Preface to the Second Edition, 2012

 

 

 

 

 

 

Appendix XVIII: Plates 22 - 154, 2009, Set of 23 plates

 

 

 

Part I_Chapter 1_Section 271: Appendix XVIII: Plates

 



Scratching on Things I Could Disavow: A History of Art in the Arab World, 2008 - present

 

Sharjah Biennial 2011, installation views

 

 

 

Index XXVI, Artists, Tahhan Wall 001, details

 

 

 

Index XXVI, Artists, Saadi Wall 004, details

 

 

 

Index XXVI, Artists, Zohrab Wall 005, detail

 

 

 

Raad-Index XI Artists_ Johnny Tahhan

drywall, paint, wood, vinyl, archival inkkjet prints, dimension variable

 

 

 

Untitled

 

 

 

floorpiece I - IV, high density foam . not produced

 

 

 

Part I_Chapter 1_Section 139: The Atlas Group (1989-2004)

 

 

 

Part I_Chapter 1_Section 79: Walid Sadek’s Love Is Blind (Modern Art Oxford, UK, 2006)

 

 

 

Part I_Chapter 1_Section 79: Index XXVI: Artists

 

 

 

 

Part 1_Chapter 1_Section 8a: Museums, 2008

 

 

 

"Index XXVI: Artists", 2009

 

 

 

Cotton under my Feet, 2007-2011, Set of 96 plates, inkjet print on archival paper, 23,4 x 29,8 cm, each, framed, Edition 7 + 2 a.p.

 

 

 

 

 

Sweet Talk: Beirut Commissions, 1987 - 2010, archival inkjet prints, 113,5 x 189,5 cm, Edition 7 + 1ap

 

 

 

Untitled, 1982-2007, archival inkjet prints on archival paper, 43 x 56 cm each

 

 

 

 

 

"Oh God, he said", 2006, 43,1 x 55,9 cm each, Framed digital print, Set of 31 plates, Ed.: 5 + 1 ap (Text PDF)

 

 

 

 

"Let´s be honest, the weather helped", 2006
Set of 7 plates, framed digital prints, 45 x 72 cm, Edition: 7 + 1 a.p.

 

 

 

"Let´s be honest, the weather helped II", 2007
Set of 5 plates, archival inkjet prints on archival paper, 45 x 72 cm each, Edition: 7 + 1 a.p.

 

 

 

"Let´s be honest, the weather helped III", 2007
Set of 5 plates, archival inkjet prints on archival paper, 45 x 72 cm each, Edition: 7 + 1 a.p.

 

   

I want to be able to welcome my father to my house, 2018

 

We are fair people. We never speak well of one another. 2014. Inkjet prints (Archival inks and paper). 86 x 111,5 cm. 9 prints in series


 

The Bachar Polaroids, 2011. Set of 20 plates. Inkjet prints (Archival inks and paper). 20,4 x 20,4 cm, each



 

 

Sweet Talk: The Hilwé Commission, 2005. Digital Print. 116 x 116 cm each.


 

I Might Die Before I Get A Riffle


 

Set of 15 plates, framed digital prints, 110 cm x 171 cm each, edition 5.



 



 

Secrets in the Open Sea
 


 

 

 

My neck is thinner than a hair, 1996-2004, archival inkjet prints, Set of 100 plates, each 24 x 34cm, Edition of 5


 

Already been in a Lake of Fire, 1999-2002, archival inkjet prints, Set of 9 plates, each 30x42cm, Edition of 7

 

 

Already been in a Lake of Fire, 1999-2004, archival inkjet prints, Single print, 111x198cm, Edition of 3
 



 

Missing lebanese wars, 1996-2002, archival inkjet prints, Set of 21 plates, each 33 x 25cm, Edition of 7

 

 

Missing lebanese wars, 1996-2002, archival inkjet prints, Single print, 112 x 127cm , Edition of 3
 


 

Civilizationally, We Do Not dig Holes to Bury Ourselves, 1959- 2002, archival inkjet prints, Set of 24 plates,
each 28 x 21,5 cm, Edition of 7

 

 

Civilizationally, We Do Not dig Holes to Bury Ourselves, 1959- 2002, archival inkjet prints,
Single print, 112 x 119cm, Edition of 3
 

 

Hostage: The Bachar Tapes, 2002



 

Miraculous Beginings, 15 plates, - 2004, archival inkjet prints, 40x30 cm, Edition of 7